As Above So Below — Dafuking Site

This somehow both scared and bored me at the same time

Overview

: After years of searching, Treasure Hunter Scarlet finds a clue that would lead her to the fabled Philosopher’s Stone somewhere in Paris. She gathers together a crew to find the stone in the catacombs of Paris, but there are other things that lurk down below.

I would consider myself a big time movie/tv person. Have I seen everything? No. Do I like watching anything? Yeah, I’ll give it a chance. I like most genres.

Horror though, I have mixed feelings.

Now, I’m gonna be honest, it was hard trying to go into this movie open minded. I have a love/hate relationship with the Horror genre of movies. Older classics like John Carpenter’s Thing, Alien, even Scream are movies I adore. But…modern horror movies are a pain to me. I hate how they use shortcuts to try and scare me with random ass Jump-scare for no purpose other than to scare me. It’s ridiculous! I can call out when the jump-scares happen, and they Still scare me because of the freaking sound track!

Anyway. I felt it would be unfair for me to say how much I like/dislike the movie without mentioning my preferences. If you like the newer horror movies, awesome, you do you, but for me, its like one of those gatchapon machines where theres a 50/50,chance you’ll like it or not.

With that out of the way, lets Actually start talking about the movie.

The movie is shot in Found Footage style and that already added a tally against it in the 1st minute. I am not a fan of found footage. I know that it’s popular to make it cheap and personal, but it makes it so hard to follow what is going on. When they are being chased or attacked, I don’t know whats happening! Its too dark to tell, the camera is jostling around making me slightly nauseous, and if it does show something, its only for like 5 seconds unless it is stupidly close! There were parts that felt more like watching a Let’s Play of a 1st person horror game. Run Run Run, Punch Monster, Run.

It is due to this 1st Person view that, not gonna lie, I barely followed how they got into the catacombs in the first place. Scarlett was in Iran…then she went to France, then…a church to pick up a reverse vandalizer, club, tunnel, catacombs. I can remember the place order, but like hell can I remember what exactly they were saying. All of that took 30 minutes and I was bored out of my mind. And the things that I do remember, they just sort of randomly popped up? Like, they were discussing on whether to jump into the hole

There are parts of the movie that I think was their attempts to build atmosphere, but sort of came out of left field. They say a pale woman walk away from a club: ok. They see her…directing the creepy ass ghost choir?? No idea what that was about. Then They ran into statues that just….came to life to bite at them??? This,was Never Mentioned as potential threats anywhere, it was as if the movie decided it needs random encounters to fill the climax, which is a shame because the tension in this in the middle was really good.

In the middle, when they are Finally going underground to when things got fucked, had a good tense build up. Showing landmarkers that shouldn’t be on their route later on. Local lore of “don’t go down the cursed tunnel” (PSA: If the locals say don’t do something, don’t do it). They get trapped trying to crawl through a pile of bones. Now that part wasn’t scary, but was Very Uncomfortable, especially if you have claustrophobia. They have just…random ass things appear like a Piano and Phone which, these people are dumbasses for thinking those things are natural to be there, but does add a good “what the hell” moment that just pikes on. I thought they might go the whole “vague supernatural tunnel turning tricks and getting them to turn on each other” route instead of “slowing pick one off one by one” type. And maybe that’s what they were trying to have, but it was still random monsters popping out to attack so… c'est la vie.

Another thing I take issue with is part of the lore they use for the Philosophers stone. First, they use the legends and work of alchemists. And that’s pretty cool. Like mystical National Treasure, unlock secret symbols and solve chemical problems. There was a part where they had to figure out the number of celestial planets in the sky based on what century the stone came from since it kept changing over the years, that part was pretty clever. I didn’t know the information, but i appreciated the history.

But they just add random bits from around the world to be like “ooh they connected” like, ok. They have alchemist lore, 14th century Flamel. Makes sense. Then they add a mummy of a crusades guy. I don’t know which crusades, but it doesn’t matter since he was used more as a prop than plot device. Hell it might be Flamel himself, I don’t know. Then they throw…Ancient Egypt….Sure. Why not. Alchemists could go to Egypt to learn then stick hieroglyphics and traps in the french catacombs. Given how I don’t know anything about alchemists history, I’ll go with it.

What I WONT accept is them calling Dante’s Inferno Mythology! That is Bullshit! I call BullShit! That! Is where I DRAW THE LINE!!

Because they carved “abandon all hope he who enter here” into the tunnel wall when things turned batshit and thats where i gave up on the lore.

Dante’s Divine Comedy is not a myth! It is a poem! A poem written by Dante about Christain ideology of what heaven and hell is like! But the movie doesn’t give a shit. The line just sounds cool to have as they go deeper into the tunnels!

If they just went with Dante references and alchemist lore, I would have been fine there. The main reason I got angry at that part with Scarrlet saying about “Dantes myth” is that she knows like 5 languages + 2 dead ones, all this backstory and alchemist stuff, and she doesn’t know that inferno was a poem? Yes, part of that is semantics and technicalities, but it sort of pulled me out of the world a bit. Because at that point, it felt like they were picking and choosing lore to fit in because it sounded cool. Have an egyptian trap! Why? Because it was cool! Have hieroglyphic puzzle to find the stone? Sure, don’t know why it’s in France but whatever! I dont know. It threw me off because it felt like they were adding too much, which is a shame because some of the Dante references like traveling through a pool of blood was really good.

I don’t get the visions. I really don’t. Like…random pianos and telephones just appear on level one of their journey, that calls out to their memory. Which is…bizzare. Especially since they actually touch the freaking things. Like, don’t touch the childhood piano! It will make things worse! Seriously! White people!

You later learn that the visions come from their sins (like the one and only tormented sin they got) and it is only when I googled the end of the movie did I learn that they have to acknowledge their sins or die. Which if you have to google the movie to understand the message, the message didn’t go through. And opens up to more questions.

Because there were other people that died that didn’t get to see their sin visions. George and Scarlett got taunted with pianos and objects since the 1st floor. What about Benji? He was followed by the creepy ghost choir and fell down a hole. Tell me what sin that means. Do They….all have sins, or did the vague demons here have to kill off the innocent ones first before putting the focus on the true targets?

And Scarlett finding out that the power was in her all along? What? Did she…consume the power? Was it transferred? Did she have it since she was born? Does she still have it? It felt like a bad moment to throw in a self esteem psa in this movie.

I will give the movie credit though, i liked how they were forced to go down to get out. When everything turns to shit and they have to do the same things they did but in reverse order, but still forced to go down, that was good. It adds to the tension of “holy fuck how are they gonna get out is this even the right path?” And that last scene with the manhole, gorgeous. Really truly gorgeous. It just shakes you to the core with what you are seeing.

But Overall…..yeah did not like this movie. Wasn’t a fan of shakey cam. Wasn’t a fan of the “gotcha” jump scares. The movie felt a little more uncomfortable than scary to me with the claustrophobia. There were a bunch of times where I had to check how long was left in the movie because I was really bored with what was happening. I did like the use of alchemist lore, the Egyptian trap scene, and the end scene, but just wished they stuck to one part than try to mash up different myths to fit.

And if they wanted to stick with Dante, fine. Apparently this entire movie was an allegory of Dantes inferno. (Thanks google) But while i can appreciate looking back on it in hindsight, it doesn’t change the fact that I really didn’t “get” the symbolic nature of what they were trying to do in the initial watch. Maybe if I rewatch it I would appreciate it more, but I would just skip like half the movie to the actual cave exploring part because I am not sitting through the full thing again.

If you like horror movies with historic flair, this might be for you. But its not my cup of gatorade.